Audio Video Interfaces

The 2-channel passive DJdi effortlessly converts unbalanced signals into balanced outputs with two channels, suitable for mixers, PA systems, and recording consoles. Its continuously variable input signal attenuator handles diverse signal levels, and the passive design ensures clean, quiet, uncolored operation without needing external power.

The PMC16 is a 16-channel personal monitor controller designed for precise audio mixing with dbx TR1616 or any BLU link compatible device. It supports monitoring via headphones, in-ear monitors, powered monitors, or traditional wedge monitors. Users can daisy chain multiple PMC16s through CAT5e cable, enabling each to receive 16 channels of high-resolution digital audio for personalized mixes. The PMC16 features a 16-channel mixer with level, panning, effect send, muting, soloing controls, onboard Lexicon® reverb, stereo width control, EQ settings, and dbx limiting. Its Setup Wizard, channel grouping, and 16 preset locations enhance usability.

The Focusrite Clarett+ 2Pre is a 10×4 USB Type-C audio/MIDI interface designed for studio and mobile use, featuring 24-bit/192 kHz AD/DA conversion, low-latency monitoring, and two Air-enabled mic preamps that can emulate the classic ISA preamps. It includes two mic/line/instrument inputs, an optical port for ADAT or S/PDIF expansion, MIDI I/O, four line-level outputs, and a stereo headphone out. The included software package offers Focusrite Red plug-ins, a channel strip, and Focusrite Control for routing and monitoring on various devices.

The Focusrite Pro ISA ADN8 is an eight-channel A-D card designed for high-quality analog-to-digital conversion in the Focusrite ISA 428 MkII and ISA 828 MkII microphone preamps, with support for sample rates up to 24-bit / 192 kHz. It includes AES3, Dante, and ADAT connectivity, allowing network integration with Focusrite RedNet devices and other Dante-enabled equipment. The card features primary and secondary RJ45 Dante output ports, an AES59 DB25 connector, TOSLINK connectors for ADAT output, and Word Clock I/O on BNC connectors for synchronization.

The third-generation Focusrite Scarlett 18i20 is an 18×20 USB audio/MIDI interface designed for bands, project studio engineers, and panel podcasters, offering top-shelf sound with mix-minus functionality in a user-friendly, rack-friendly format, ensuring pro-level tone with minimal learning curve.

The Focusrite Scarlett 18i8 3rd Gen is an 18×8 USB audio/MIDI interface designed for podcasters, producers, and small bands, offering mix-minus functionality and pro-level sound quality. It features four improved Scarlett mic preamps with phantom power, input pads, and an Air circuit. The front panel includes software-switchable XLR-1/4″ combo inputs for versatile connectivity, while the rear panel provides additional fixed-level inputs for line-level sources.

The Focusrite Scarlett 4i4 3rd Gen is a 4×4 USB audio/MIDI interface designed for podcasters, singers, and musicians, offering mix-minus functionality for call handling and high-quality sound in a portable, desk-friendly format.

The third-generation Focusrite Scarlett 8i6 is an 8×6 USB audio/MIDI interface designed for podcasters and multi-instrumentalists, offering high-quality sound and mix-minus functionality for easy call integration, all in a user-friendly, desk-friendly format.

The third-generation Focusrite Scarlett Solo 2×2 USB audio interface delivers superior sound quality in a compact design ideal for singers, guitarists, and podcasters. It features an improved microphone preamp with switchable phantom power, a selectable Air circuit for enhanced brightness, an XLR input, and a 1/4″ instrument/line input. The 24-bit / 192 kHz converters offer detailed and accurate audio recording, with options for monitoring through headphones or speakers, ensuring a professional tone with minimal latency.