Recording & Production

The BLU-103 delivers advanced AEC processing with 8 independent algorithms, Automatic Gain Control, and Noise Cancellation, optimizing audio for multiple conferencing spaces. Its 48-channel digital audio bus supports low-latency, fault-tolerant signal transmission up to 300 feet with Cat 5e cabling, extendable to 24 miles with fiber media converters. Compatible with the Soundweb London family, it offers configurable analog inputs, phantom power, straightforward front-panel indications, and GPIO integration for seamless system solutions.

The BLU-101 offers advanced AEC processing for 12 algorithms, supporting local or digital audio inputs. It includes automatic gain control and noise cancellation per algorithm for optimal microphone levels and steady noise removal. Featuring a 48-channel low latency digital audio bus, it uses Category 5e cabling for up to 100m, extendable to over 40km with fiber media converters.

The dbx 1215 is a dual-channel, 15-band graphic equalizer with 2/3 octave sliders, featuring selectable boost/cut ranges, high-pass filters with bypass, active balanced input/output, and chassis/signal ground-lift for hum isolation.

The 215s by dbx is a dual-channel, 15-band, 2/3 octave graphic equalizer designed for live applications, audio installations, and studio use. It features 20mm non-conductive sliders for +/-6dB or +/-12dB adjustments, a global +/-12dB input gain control, and a switchable 12dB per octave low-cut filter at 50Hz. With its extended frequency response, high dynamic range, quality components, and meticulous design, the 215s ensures excellent sound and durability.

The dbx 231s is a dual-channel 31-band graphic equalizer with 1/3-octave equalization, ±12 dB input gain, selectable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, and output level metering, featuring an extended frequency response of 10Hz to 50kHz and a 112 dB dynamic range, suitable for studios, tours, and installed sound venues.

The dbx 266xs is a dual-channel compressor/gate designed for both live sound rigs and studio setups, offering stereo and dual mono modes. It smooths uneven levels, enhances guitar sustain, and boosts drum and vocal presence. The unit features Overeasy compression for musical performance, AutoDynamic attack and release controls, true RMS power summing, quality I/O connectors, and visual feedback through gain reduction metering and backlit switches.

The dbx 530 Parametric Equalizer is a versatile 500 series module inspired by the dbx 905, featuring three filter bands with adjustable bandwidth control and up to 15 dB cut or boost. Each band can independently apply an “infinite notch” for specific frequency removal, and the high and low bands switch between peaking and shelving. The “In” button provides easy comparison between affected and bypassed signals.

The dbx 560A Compressor/Limiter, designed for 500 series lunchbox chassis, offers VCA-based compression with switch-selectable OverEasy and Hard Knee curves, identical to the dbx 160A. This unit features broad threshold, ratio, and output controls, along with true RMS level detection for natural dynamic processing. Ideal for enhancing drums, bass, and vocals, it provides flexibility from subtle compression to brickwall limiting. Suitable for both studio recording and live sound, it effectively manages fluctuating levels and prevents overload distortion.

The MXE5, part of the MXE matrix mix engine series, features a 24 x 24 crosspoint audio matrix for routing and mixing, including 12 analog mic/line inputs, eight line outputs, and 24 Dante audio channels. It also acts as a communication hub for IP peripherals, managing system-wide commands effectively.