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Allen & Heath SQ-6 Digital Mixer 48-Channel 36-Bus with 24+1 Motorized Faders
The Allen & Heath SQ-6 is a versatile 48-channel digital mixing console with 36 buses, ideal for live sound, corporate A/V, recording studios, and houses of worship. It features 24+1 motorized faders, 24 high-grade mic preamps, eight stereo FX engines with return channels, and the RackExtra FX library. The 12 stereo outputs can be configured for groups or auxes, perfect for in-ear monitoring, while the Auto Mic Mixing function provides efficient management of multiple microphones.
- Estimated Delivery : Up to 3 business days
- Free Shipping & Returns : On all orders over AED 1000
The Allen & Heath SQ-6 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-6 features 24+1 motorized faders and 24 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Auto Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-6 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel / mix counts and ample FX processing. The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
Key Features
| Specification | Details |
|---|---|
| Number of Analog Input Channels | 48 |
| Mix Routing | 8 x Stereo FX Return |
| Groups | 8 x Mute Group, 8 x DCA Group |
| Display | 7″ Touchscreen |
| Display Resolution/Color | Main Display: 800 x 480 8-Bit RGB |
| Faders | 3.9″ / 100 mm |
| Meters | Main Meter: 2 x 12-Segment LED, Channel Meter: Single LED |
| Meter Range | -3 dBFS Peak/Clip (+19 dBu at XLR Output) |
| Meter Calibration | 0 dB on Meter = -18 dBFS (+4 dBu at XLR Output) |
| Gain/Trim Range | Line: ±24 dB (Stereo Channels), Mic/Line: 0 dB to +60 dB (in 1 dB Steps) |
| Input Pad | -20 dB |
| Input Polarity | Normal/Reverse |
| Gate Parameters | Threshold: -72 to +18 dBu, Depth: 0 to 60 dB, Attack: 50 μs to 300 ms, Hold: 10 ms to 5 sec, Release: 10 ms to 1 sec |
| Compressor Parameters | Threshold: -46 to +18 dBu, Ratio: 1:1 to ∞:1, Attack: 30 μs to 300 ms, Release: 50 ms to 2 sec, Knee: Soft / Hard, Blend: Yes |
| Sidechain Filters | Compressor: High-Pass: 20 to 5 kHz, Band-Pass: 120 Hz to 10 kHz, Low-Pass: 120 Hz to 20 kHz; Gate: High-Pass: 20 Hz to 5 kHz, Band-Pass: 120 Hz to 10 kHz, Low-Pass: 120 Hz to 20 kHz |
| EQ | FX Returns: 4-Band Parametric |
| EQ Parameters | 1 x HF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable), 2 x MF Notch/Peak: ±15 dB at 20 Hz to 20 kHz, 1 x LF Shelf: ±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable) |
| Graphic EQ | 28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz |
| Filters | High-Pass: 20 Hz to 2 kHz, 12 dB/Octave |
| Channel Output/Source Monitoring | AFL, PFL, Post-Preamp, Post-HPF, Post-Gate, Post-EQ, Post-Compressor, Post-FX, Insert Return |
| Internal Effects | Reverb, Stereo Delay (Tap), Reverb (Gated), ADT, 2 x Chorus, Flanger, Phaser |
| Real Time Analyzer | 31-Band 1/3 Octave, 20 Hz to 20 kHz |
| Audio Delay | Adjustable Up to 682 ms |
| Sample Rates | 96 kHz; AES3 Output: 44.1 / 48 / 88.2 / 96 kHz; Stereo Record: 96 kHz; Stereo Playback: 44.1 / 48 / 96 kHz; Multitrack Playback/Multitrack Record: 96 kHz |
| Bit Depth | Up to 96-Bit; Stereo Record: 24-Bit; Stereo Playback: 16 / 24-Bit; Multitrack Playback, Multitrack Record: 24-Bit |
| Latency | < 0.7 ms (Mic Input to Main Output) |
| dBFS Reference Level | +18 dBu = 0 dBFS |
| Headroom | +18 dB |
| Frequency Response | 20 Hz to 20 kHz +0/-0.5 dB |
| Max Input Level | Mic/Line Input: +30 dBu; Aux Input: +22 dBu (+4 dBu), +18 dBu (0 dBu) |
| Output Level | Analog Output: +4 dBu (Nominal), +22 dBu (Max) |
| Analog Dynamic Range | 112 dB |
| I/O Impedance | 1/4″, XLR Output: < 75 Ohms; AES3 Output: 110 Ohms; Aux Input: > 7 Kilohms; Mic/Line Input: > 5 Kilohms |
| Noise Floor | -90 dBu (with Inputs Muted) |
| THD+N | 0.006% at Unity Gain; Mic/Line Input to AES3 Output: 0.002% at Unity Gain, 0.003% at +30 dB Gain |
| Signal Generator | Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix) |
| Analog Inputs | 1 x XLR Talkback Input, 24 x XLR Balanced Mic/Line Input, 4 x 1/4″ TRS Balanced Aux Input (2 Stereo Pair, Half-Normalled), 1 x 1/8″ / 3.5 mm Unbalanced Aux Input |
| Analog Outputs | 14 x XLR Balanced Output, 2 x 1/4″ TRS Balanced Output |
| Phantom Power | +48 V |
| Digital I/O | 1 x RJ45 (Network), 1 x XLR AES3 Output, 1 x etherCON (I/O) |
| USB | 1 x USB Type-A (External Memory), 1 x USB Type-B (USB 2.0, Audio Streaming) |
| Expansion Ports | 1 x I/O Card |
| Max Multitrack Recording | 16 Tracks |
| File Format Support | WAV |
| AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Dimensions | 25.1 x 20.3 x 7.8″ / 638 x 514.9 x 198 mm |
| Weight | 29.3 lb / 13.3 kg |
| Brand | |
|---|---|
| EAN |
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