The dbx 234xs is a versatile dual channel crossover, configurable for stereo 2/3-way or mono 4-way use, designed to optimize PA operations by filtering input signals into frequency-specific ranges. It features Linkwitz-Riley 24dB/oct filters, independent output gain controls, output phase inversion, a 40Hz low cut filter, and optional mono summing for subwoofers. Built with high-quality components and solid, precise controls, it ensures both exceptional sound quality and rugged reliability, complete with professional-grade XLR inputs and outputs.
The dbx 234xs is a dual channel crossover equipped with Linkwitz-Riley 24dB per octave filters, independent output gain controls, output phase inversion, 40 Hz low cut filter, and optional mono summing for subwoofer output. Designed for precision with its solid controls and high-quality XLR inputs and outputs, the 234xs ensures optimal speaker performance by separating audio signals and directing specific frequencies to the appropriate loudspeaker drivers, enhancing sound quality and reducing distortion in your PA system.
The dbx 266xs is a dual-channel compressor/gate designed for both live sound rigs and studio setups, offering stereo and dual mono modes. It smooths uneven levels, enhances guitar sustain, and boosts drum and vocal presence. The unit features Overeasy compression for musical performance, AutoDynamic attack and release controls, true RMS power summing, quality I/O connectors, and visual feedback through gain reduction metering and backlit switches.
The dbx® 266xs Compressor/Gate, featuring patented Overeasy® compression and AutoDynamic™ controls, offers smooth performance and easy dynamic control for live and studio settings. It supports stereo and dual-mono modes, true RMS power summing, and includes XLR and 1/4″ TRS inputs/outputs. Gain reduction metering and backlit switches enhance user feedback for professional-quality sound shaping.
The dbx 286s Channel Strip Processor features a versatile mic preamp with balanced XLR and 1/4″ TRS inputs, an OverEasy® compressor, a frequency tunable De-Esser, an Enhancer to adjust HF and LF details, and an Expander/Gate for noise control. Ideal for both professional and home studios, it offers metering LEDs, +48V phantom power, and an 80Hz high-pass filter, ensuring high-quality vocal and instrument processing with flexible signal routing through its Insert jack.
The dbx 510 Subharmonic Synthesizer, designed for a 500 series lunchbox-style chassis, enhances low frequencies in various live sound applications by synthesizing bass notes an octave below the original signal without altering mid or high frequencies. It features two bands of bass synthesis, individual and overall level controls, a low-frequency boost, a bypass button for A/B comparisons, and LED indicators for process feedback.
The dbx 520 De-Esser, fitting into a 500 series lunchbox chassis, is engineered to reduce excessive sibilance in vocals and high-frequency content. It operates by analyzing the level difference between high frequency and full-bandwidth signals, allowing up to 60 dB of de-essing. With an 800 to 8,000 Hz frequency control, gain reduction metering, a de-essing range of 0 to 20 dB, and an In/Out switch for A/B comparisons, this unit also features an HF mode switch for tailored processing.
The dbx 530 Parametric Equalizer is a versatile 500 series module inspired by the dbx 905, featuring three filter bands with adjustable bandwidth control and up to 15 dB cut or boost. Each band can independently apply an “infinite notch” for specific frequency removal, and the high and low bands switch between peaking and shelving. The “In” button provides easy comparison between affected and bypassed signals.
The dbx 560A Compressor/Limiter, designed for 500 series lunchbox chassis, offers VCA-based compression with switch-selectable OverEasy and Hard Knee curves, identical to the dbx 160A. This unit features broad threshold, ratio, and output controls, along with true RMS level detection for natural dynamic processing. Ideal for enhancing drums, bass, and vocals, it provides flexibility from subtle compression to brickwall limiting. Suitable for both studio recording and live sound, it effectively manages fluctuating levels and prevents overload distortion.
The dbx 580 Mic Preamp is a 500 series lunchbox-style chassis that provides up to 60 dB of low-noise amplification suitable for a variety of microphones. It boosts microphone signals for direct connection to line-level inputs of mixers, samplers, or recording devices. Features include a variable frequency low-cut filter, low and high detail EQ controls, a 20 dB pad, polarity invert button, selectable +48V phantom power, front-panel instrument input, VU metering, and a peak indicator LED. This device takes up one rack space and weighs 1.75 lb packaged with box dimensions of 10.1 x 6.3 x 3.6 inches.
The ZonePRO 640/641 systems deliver exceptional sonic performance with versatile input and output connections, including balanced Euroblock connectors, RCA interfaces for consumer equipment, and an analog input buss for scalable integration. These devices offer comprehensive processing tools such as gain control, EQ, paging microphone processing, Auto Gain Control, Compression, Feedback Suppression, and the patent-pending AutoWarmth® function for natural low-frequency enhancement. The Routing module enables primary source selection, source ducking, and priority override, while output features include EQ, Bandpass, Crossover filters, Limiting, and Delay for optimal commercial audio systems.
The ZonePRO 641/641 are designed for superior sonic performance and flexibility, featuring Euroblock and RCA connectors for balanced signals and consumer equipment. They offer comprehensive input processing tools including gain control, EQ, selectable paging microphone processing, and advanced functions like Auto Gain Control and Feedback Suppression. The routing module provides Primary Source Selection and Source Ducking. Outputs include processing tools such as AutoWarmth®, EQ, bandpass filters, and limiting. These tools ensure system optimization and scalability, making them ideal for commercial applications.
The ZonePRO 641m features six inputs, including four balanced mic/line terminal blocks and two mono-summed RCA pairs, with four outputs. It offers a pre-configured architecture for input/output processing, configurable insert processing, and optional audio channel duplication via a link bus. Hardware-controlled microphone gain and AutoWarmth® technology ensure optimal audio quality across all output zones.
The 676 Tube Microphone Preamp Channel Strip from dbx integrates a tube mic preamp, 3-band parametric EQ, and a 162SL-based compressor. The Class-A preamp operates at 250V for versatile tone control, and the EQ includes sweepable mids. A front-panel instrument input also makes the device suitable for direct instrument recording.
The AFS2 Dual-Channel Advanced Feedback Suppression Processor from DBX effectively protects audio systems from feedback while preserving sound integrity. It features application-specific filter types and 24 narrow-band notch filters, which eliminate feedback without compromising frequency response. The front panel includes a wizard function for easy setup, an LCD display, a segment LED for input monitoring, notch filter indicators, and bypass buttons. The rear panel accommodates XLR and 1/4″ switchable inputs/outputs and a USB port for firmware updates. It comes with an IEC power cable.
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